The Ronin 3-Axis Brushless Gimbal Stabilizer from DJI is a camera stabilization system designed to give the operator close to the freedom of unencumbered handheld shooting but without the hand-shake. Suitable for most camera types and configurations up to 16 pounds, Ronin uses brushless motors that work on three axes: one for side-to-side “roll” – keeping the horizon level – one for tilt, and one for pan. The system is computer-controlled and boasts a precision of control of ±0.02°. An IMU (inertial measurement movement) detects movement and engages the motors to react, using algorithms to differentiate between intentional movement such as pans and tracking shots from unwanted shake. In addition to handheld shooting, the gimbal can be used in vehicle mounting scenarios and other contexts where vibrations or other abrupt movements would make tripods and rigid camera support systems unsuitable.
Sound Device 633
The The 633 is a compact, six-input mixer with integrated 10-track recorder featuring PowerSafe technology. It offers six analog inputs and records to SD and CompactFlash memory cards. The 633 is designed for audio professionals requiring go-anywhere portability, without compromising recording or mixing capability.
Input and Output Flexibility
The 633 offers three high-bandwidth mic/ line inputs on XLR connectors (3+3), complete with phantom power, high-pass filter, input limiter and variable pan. Three additional line-level inputs on TA3 (mini-XLR) connectors offer flexibility for more complex productions. All inputs are assignable to its six output buses, left/right plus Aux 1/2/3/4.
FSI 21.5 inch HD Monitor
The LM-2140W is a 21.5″ calibrated professional monitoring solution for general editing and onset/field applications. The 21.5″ LM-2140W and its slightly larger (23″) sibling the LM-2340W were purpose built as full-featured low cost monitoring solutions for environments that do not require the performance and color fidelity of FSI’s flagship LM-2461W. While not equipped with the advanced Color Fidelity Engine found on the LM-2461W these units are still fully calibrated and will offer sufficient color accuracy for general color judgment in a wide array of professional monitoring applications. Additionally, the LM-2140W features the same advanced video processing hardware found on our top of the line monitors ensuring that practically any broadcast standard signal, even interlaced or PsF formats, will be displayed accurately.
The LM-2140W features a full native HD 1920×1080 resolution IPS LCD panel with a power efficient white LED backlight. Additionally, this unit comes standard with 3Gbps/HD/SD-SDI, Component, Composite, and DVI-I Inputs for support of virtually any video format including NTSC/PAL, 4:4:4 signals, 2K, and 1080p50/60 sources.
FSI 17 inch CM 171 HD Monitor
FSI’s 2nd generation Color Fidelity and LUT Interpolation Engine (CFE2) houses multiple 4,913 point (173) calibration and DIT (look) LUTs for highly accurate color reproduction and effective look management. Instantly select from Rec709, EBU, SMPTE-C, DCI P3, Rec2020 Emulation*, Native Wide Gamut, and Custom User Generated color spaces.
Additional gamma, peak luminance, and color temperature toggles further add to the versatility of the CM171.
All CFE2 equipped monitors also feature an easy to use menu toggle to instantly switch between data (full) range monitoring or video (legal) range monitoring modes.
17 inch Panasonic HD/SD LCD Monitor
The Panasonic BT-LH1710W is a 17″ widescreen monitor designed for broadcast and studio applications. It utilizes advanced processing technology to reproduce images with color and contrast qualities once found only in CRT monitors. This model is capable of displaying all the HDTV formats and frame rates as well as being NTSC and PAL systems compatible.
<stafftext>Video System NTSC/PAL
Picture Elements 1280 x 768
Input and Output Connectors
Composite: BNC (x1 Input, x1 Output)
Component: BNC (x2 Input)
HD/SD-SDI: BNC (x2 Input, x1 Output)
Sync: BNC (x1 Input With Loop Output)
VD: BNC (x1)
DVI-D with HDCP: DVI (x1 Input)
The Odyssey7Q+ is the most advanced, most capable, most versatile monitor/recorder in the world. The Odyssey7Q+ can record HD/2K/UHD/4K. It can record them via SDI and HDMI. It can record RAW, uncompressed DPX, and Apple ProRes 422 (HQ). The Odyssey7Q+ features an OLED 1280×800 monitor with true blacks, accurate colors, extended color gamut and a 176 degree viewing angle.
Along with the best image in the industry, the Odyssey7Q+ also features an extensive array of image analysis tools, including an RGB waveform, RGB Histogram, False Color, Pixel Zoom with finger drag, three-mode Focus Assist and monitoring LUTs. The unique Multi-Stream Monitoring mode allows up to four HD video inputs to be viewed at once in a quad-split view or to be live-switched between in full screen.
Sound Device PIX-240
The Sound Devices PIX 240 is a video field recorder that adds Quick – Time recording using Apple Pro – Res or Avid DNx – HD* to any high-definition video camera equipped with HDMI or HD-SDI. The Sound Devices PIX 240 is a video field recorder that adds Quick – Time recording using Apple Pro – Res or Avid DNx – HD* to any high-definition video camera equipped with HDMI or HD-SDI. – Res and Avid DNx – HD* have emerged as industry standard video codecs and offer the best picture quality, processing performance, and data storage economies. With flexible audio circuitry based on Sound Devices award-winning 7-Series Digital Audio Recorders, the PIX 240 delivers amazing audio performance.
Built for professional field use, PIX recorders has a light weight and durable metalized, molded carbon fiber chassis with an advanced thermal design that keeps its cool in extreme production environments. If you need to add Quick – Time recording to your HD video camera, check out the Sound Devices PIX 240. *Avid DNx – HD codec is available as an optional accessory – Sound Devices PIX 240 Video Recorder Features at a Glance:Adds Quick – Time recording to your HD video camera5-inch, 800×480 matte finish pixel display – UDF format for Mac/PC compatibility – CF or removable 2.5-inch solid-state hard drive file storage with media spanning – Ultra low-noise (-128 d – Bu) mic preamps with phantom; limiters, line input – Built-in time code generator, with genlock and word clock output – Files recorded in the field are ready for popular editorial workflows – Simplify your production workflow with The Sound Devices PIX 240!
Cube is the world’s first camera-top wireless HD video encoder. Cube streams up to 1080p over WiFi or wired Ethernet. Cube is the ideal solution for guerilla filmmakers who need on-set video monitoring without the cost or complexity of a full VTR rig. Cube is also a great solution for full-scale film productions to eliminate camera tethering on long dolly moves, running footage, steadicam shots, hand-held operation, jib-arms, and crane shots.
Cube’s ad-hoc networking mode creates a network and streams directly to a decoding device such as a Laptop or iPad with no other equipment required. Using Cube’s infrastructure network mode Cube’s IP video stream can be distributed over a LAN/WAN or over the Internet. Cube uses the world’s most advanced video compression – H.264 High Profile Level 4.1 and provides Blu-ray video quality. Cube’s end-to-end latency is approximately 1/8-1/2 second
With highly refined software, new wireless radios, and a redesigned chassis, these new models are the most reliable and capable monitoring solutions we have ever built. Metadata and timecode support, 3D LUTs, dual inputs/outputs, multicast capable, manual frequency selection and USB 3.0 GRAB Engine are all included on these new models but with the following new features:
he Dana Dolly V2.0 is now made of 6061 Aluminum finished Black to cut down on reflectivity. The bottom of the plate is milled out to cut down on overall weight, while not compromising strength. The triangle trucks are welded aluminum, finished black. The wheels are custom made soft, then turned down to be round within 1/1000 of an inch (thinner than a human hair) to eliminate the “bounce” that normal skateboard wheels give. The turning process also helps keep down the squeak that some dollies experience. We have our bearings specially made to compliment the wheels. The dolly wheels are designed soft to give a very smooth, squeak free move with any size camera.